
20"
tall from the feet to the top of the corn husks
$500
Sale!
New reduced price is 30%
off:
$350
plus shipping & insurance
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Clark
Tenakhongva was born in 1956 and comes from a long line of
accomplished Hopi carvers. Clark, along with other young
carvers have rekindled the traditional style of Hopi doll carving,
like their Grandparents who were actively carving in the early
1900's. These dolls closely resemble those dolls made at the turn of
the century.
The early traditional style Kachinas have bodies that are carved to
approximate human proportions. For example, the arms are
usually at right angles and are pressed against the body. A
static kilt and sash resemble the lower part of the body and the
legs are usually short. The head however, is carved and
painted correctly to identify each specific Kachina. These
dolls exhibits a pronounced spirituality because of their strong
stylization and abstractness. For Clark, his Kachina carving
is less of an art form and more of a religious act.
Clark's natural paints are very unique. They are thick and
textured. He does not use a sealant, but uses a substance
called 'tuuma' which makes the pigment very difficult to rub off.
He gets his pigments from all over the southwest and he uses
natural pigments of plant dyes and minerals.
This particular traditional style Kachina is the Koshari. The
Koshari clowns are considered to be the father of the Kachinas.
Indications are that the clown belongs to the Underworld and the
normal Upper World, and possesses attributes of both worlds. They
behave in the usual manner of Pueblo clowns... loud conversation,
inappropriate actions and of course, gluttony.
Kosharis are figures that are both sacred and profane. Their amusing
actions are not what the Hopi would like to be caught doing in
public. Every attribute is reversed, which may account for the
clowns saying the opposite of what they mean. Kosharis are always
shown in a humorous pose. Any form of humor that will produce
laughter will be utilized and through this humor they emphasize how
ridiculous improper behavior can be.
Like all Kosharis, this one is easily identified by the black and
white stripes that are painted all over the body. With a black and
white skull cap and conical horns, this doll is very true to Hopi
form and tradition. He is wearing a carved
breechclout and a cloth flour sack is tied around his waist There is
also a cloth medicine bag tied around his neck. There are real corn
husks for the tops of the horns and ears.
Clark first started carving Kachinas when he was 13 years old and
mostly carved what he calls the 'Michelangelo' dolls, or the more
precise detailed dolls. He also carved the 'old-style' or what he
refers to as the traditional style dolls that he used to decorate
his house. When a trader from Second Mesa first saw these
dolls hanging on the walls of Clark's home, he suggested that Clark
should start selling these dolls. So, in 1994, Clark started
carving the traditional dolls full time and the first show he
entered was at the Santa Fe Indian Market.
Clark recalls this as one of his greatest years because he ran away
with the whole show that year. He received the "Best of
Classification" in his category, as well as "First,
Second, Third and Best of Division. Clark has been winning
awards ever since and has further refined his style. Today,
Clark exclusively carves the traditional style dolls and states that
"I would not be comfortable carving a detailed doll now,
because I would be going away from the religious beliefs of how
they're supposed to be carved. Within my heart I believe this
is the right way." Clark also believes that a carver
should speak Hopi. "if you don't speak and understand it,"
he says, "you don't know the significance behind it, and that's
important."
The Koshari is signed on the bottom of the feet with Clark's signature
and hallmark. Clark is one of 19 featured artists in the book
"Traditional
Hopi Kachinas" by Jonathan S. Day. Clark is also in "The
Art of The Hopi" by Lois & Jerry Jacka on several
pages.
The
Kachina comes with a Certificate of Authenticity signed by
Clark
.
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